![]() While I haven’t completely taken to that counsel, I abide by some of its wisdom. Do you feel good after reading the news? So, stop. ![]() And fear is to be avoided as it lowers your vibration, keeping you from: Source, God, clarity and truth. The news, it is said, is a downer-designed to keep you in fear. We focus on case studies of artists who explore filmic languages in their work, like Doug Aitken, Stan Douglas and Gregory Chatonsky.Proselytizers of the New Age popularly advise that you stop consuming mass media, especially the news. ![]() This paper will address issues of time and place in the representation and presentation of time-based media works of art. Therefore, and due to the transfiguration of the spectator, we find immanence where the audience now becomes the spectacle and produces spatial and temporal context. This shift completely reconfigures the role of the spectator, developing his own spectacle in his wandering throughout the installations of the works of art. The invention and search by the viewer of spatial and temporal contexts within an organism undergoing transformation acquires the status of the creative process, and is configured as the exhibition itself. The expanded concept of media art makes the boundaries of the transmission of the image itself obsolete and provides another means of expression and interpretation in the artistic process, for example, in media installation art. There has been always an interest from artists in the study of optical phenomena beyond the framework of classical media, such as film and video, considering the aesthetic possibilities of filmmaking.
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